BIBLIOGRAPHY
Abbott, E. (1884) Flatland: a romance of many dimensions. London: Seeley & Co.
Abbott, W. (1958) Technical drawing. London: Blackie & Son Limited.
Adorno, T.W. (2004) Aesthetic theory. London: Continuum.
Avanessian, A. and Töpfer, A. (2014) Speculative drawing. Berlin: Sternberg Press.
Barbrook-Johnson, P. and Penn, A.S. (2022) Systems mapping. Cham: Palgrave Macmillan.
Berger, J. (1972) Ways of seeing. London: Penguin.
Bernstein, J.L. (1966) Audio systems. New York: John Wiley & Sons Inc.
Bioy Casares, A. (2003) The invention of Morel. Translated by R.L.C. Simms. New York: NYRB Classics. (Originally published 1940).
Boggs, C. (1976) Gramsci’s Marxism. London: Pluto Press.
Borges, J.L. (1962) Fictions. New York: Grove Press.
Brautigan, R. (1968) In Watermelon Sugar. New York: Dell Publishing Co.
Buchanan, I. (ed.) (2008) Deleuze and the schizoanalysis of visual art. London: Continuum.
Davila, P. (2019) Diagrams of power. Los Angeles: Set Margins.
Debord, G. (1992) The society of the spectacle. London: Rebel Press.
Deleuze, G. and Guattari, F. (1980) A thousand plateaus. London: Continuum.
Derrida, J. (1985) ‘Letter to a Japanese friend’, in Derrida and différance. Evanston: Northwestern University Press.
Derrida, J. (1995) Archive fever: a Freudian impression. Translated by E. Prenowitz. Chicago: University of Chicago Press.
Flusser, V. (2013) Post-history. Minneapolis: Univocal Publishing.
Freire, P. (1970) Pedagogy of the oppressed. New York: Herder and Herder.
Gansterer, N. (2017) Drawing a hypothesis: figures of thought. Berlin: De Gruyter.
Gell, A. (1998) Art and agency. Oxford: Oxford University Press.
Hegel, G.W.F. (2010) The science of logic. Cambridge: Cambridge University Press.
Hillier, B. (2025) Space syntax: selected papers. London: UCL Press.
hooks, b. (1994) Teaching to transgress. New York: Routledge.
Kornbluh, A. (2024) Immediacy: or, the style of too late capitalism. London: Verso.
Moten, F. and Harney, S. (2013) The undercommons: fugitive planning and Black study. New York: Autonomedia.
Riley, H. (2023) Drawing as semogenic language: a new pedagogy. Carmarthen: University of Wales Trinity Saint David.
Schiffer, A. (2020) Issues of power and representation: adapting positionality and reflexivity in community-based design. Hoboken: John Wiley & Sons.
Steene, M. (2023) Outside in: exploring the margins of art. Chichester: Outside In.
Urquhart, L.C. (1940) Civil engineering handbook. New York: McGraw-Hill Book Company.
Wesseling, J. and Cramer, F. (2022) Making matters: a vocabulary for collective arts. Amsterdam: Valiz.
Williams, R. (1980) Culture and materialism. London: Verso.
Zdebik, J. (2012) Deleuze and the diagram. London: Continuum.
Abbott, W. (1958) Technical drawing. London: Blackie & Son Limited.
Adorno, T.W. (2004) Aesthetic theory. London: Continuum.
Avanessian, A. and Töpfer, A. (2014) Speculative drawing. Berlin: Sternberg Press.
Barbrook-Johnson, P. and Penn, A.S. (2022) Systems mapping. Cham: Palgrave Macmillan.
Berger, J. (1972) Ways of seeing. London: Penguin.
Bernstein, J.L. (1966) Audio systems. New York: John Wiley & Sons Inc.
Bioy Casares, A. (2003) The invention of Morel. Translated by R.L.C. Simms. New York: NYRB Classics. (Originally published 1940).
Boggs, C. (1976) Gramsci’s Marxism. London: Pluto Press.
Borges, J.L. (1962) Fictions. New York: Grove Press.
Brautigan, R. (1968) In Watermelon Sugar. New York: Dell Publishing Co.
Buchanan, I. (ed.) (2008) Deleuze and the schizoanalysis of visual art. London: Continuum.
Davila, P. (2019) Diagrams of power. Los Angeles: Set Margins.
Debord, G. (1992) The society of the spectacle. London: Rebel Press.
Deleuze, G. and Guattari, F. (1980) A thousand plateaus. London: Continuum.
Derrida, J. (1985) ‘Letter to a Japanese friend’, in Derrida and différance. Evanston: Northwestern University Press.
Derrida, J. (1995) Archive fever: a Freudian impression. Translated by E. Prenowitz. Chicago: University of Chicago Press.
Flusser, V. (2013) Post-history. Minneapolis: Univocal Publishing.
Freire, P. (1970) Pedagogy of the oppressed. New York: Herder and Herder.
Gansterer, N. (2017) Drawing a hypothesis: figures of thought. Berlin: De Gruyter.
Gell, A. (1998) Art and agency. Oxford: Oxford University Press.
Hegel, G.W.F. (2010) The science of logic. Cambridge: Cambridge University Press.
Hillier, B. (2025) Space syntax: selected papers. London: UCL Press.
hooks, b. (1994) Teaching to transgress. New York: Routledge.
Kornbluh, A. (2024) Immediacy: or, the style of too late capitalism. London: Verso.
Moten, F. and Harney, S. (2013) The undercommons: fugitive planning and Black study. New York: Autonomedia.
Riley, H. (2023) Drawing as semogenic language: a new pedagogy. Carmarthen: University of Wales Trinity Saint David.
Schiffer, A. (2020) Issues of power and representation: adapting positionality and reflexivity in community-based design. Hoboken: John Wiley & Sons.
Steene, M. (2023) Outside in: exploring the margins of art. Chichester: Outside In.
Urquhart, L.C. (1940) Civil engineering handbook. New York: McGraw-Hill Book Company.
Wesseling, J. and Cramer, F. (2022) Making matters: a vocabulary for collective arts. Amsterdam: Valiz.
Williams, R. (1980) Culture and materialism. London: Verso.
Zdebik, J. (2012) Deleuze and the diagram. London: Continuum.